Mechanics of Conformity (MOC), Part II

 

A collaboration between Catalysti artists and OBJEKTI 2018

As part of OBJEKTI, there will be an exhibition at Trapesa 14.6-2.9.2018. In addition, there will be two public events in the form of a conversational piece. The events are organized at Trapesa on the 15th of June and on the 17th of August from 17:30 to 20:30.

Our collective project investigates the excess, absence, cutting, covering, growing, coloring and grooming of hair as both the materialization of individuality and of conformity. As an artistic medium and mediator of meaning, hair can communicate a sense of self and otherness. In this sense, it can either uphold or upset conventional distinctions between divisions of gender, race, region and religion. From these issues, hair epitomizes a global yet subjective social and personal significance.

Within this collaboration, four women explore concepts of identity, relationships, perceptions, liberation and otherness through hair. Ask a woman about her hair, and she just might tell you the story of her life. Catalysti artists who have shaped MOC collective are Rosamaria BolomEdwina GoldstoneSepideh Rahaaand Arlene Tucker. MOC collective has been created around the subject of hair and from early 2017.

Ask a woman about her hair, and she just might tell you the story of her life. Ask a whole bunch of women about their hair, and you could get a history of the world.

How do they look at us?
How do we look at ourselves?
How do others look at each other?


Description of the works by each artist

Arlene Tucker: Intertwined

Intertwined looks at how family members relate to each other despite their shared DNA. Here, the concept of family also extends to individuals welcomed by choice. This piece is a continuation of Arlene Tucker’s Hair Tree (2017), which gathered family members scattered over four continents by collecting cuttings of their hair. Moving inwards, she attempts to comb through memories to understand where and how knots are formed. Tucker hopes this will further open dialogue about family and with family.

Edwina Goldstone: Watching Me, Watching You, Watching Me

Watching Me, Watching You, Watching Me, follows the metamorphosis of an image through many stages as it follows the twists and turns of the artist’s decision-making and memory process as she recalls and connects past & present conversations about ‘Hair’, with all the ambivalent, contradictory ideas and mixed feelings that are attached to it. Added together as an animated sequence the drawings form a peculiar imaginative narrative that never remains constant but grows and morphs with thought and time.

Romamaría Bolom: Me recuerdo a mi misma // I remember my self // Muistan itseni

Last year, Mechanics of Conformity Collaboration lead me to a deeper reflection about how norms and values are introjected into our behavior since our childhood. A series of images came to me. I could remember three efficient rituals whose normative beliefs affect behavior. Me recuerdo a mi misma // I remember my self // Muistan itseni, is a “mask and a ritual for a society that judges us and teaches us how to behave ourselves from childhood to old age not to be punished, excluded accepted”.

Sepideh Rahaa: Entangled – ME & HAIR

Entangled – ME & HAIR is an ongoing project where Rahaa is addressing her personal identity and its relation to hair, where hair plays a significant role in her daily life interacting with others in the society, how we connect and disconnect based on our appearance. Artist has used series of life memories and experiences conveying the core concept through performing art, poetry and video.

This project is supported by The Arts Promotion Centre Finland (Taike).